She was previously a lecturer in Music at Nottingham University and Early Career Fellow at the Institute of Musical Research (Royal Holloway, University of London). Beard is Associate Lecturer in Music at Cardiff University, UK. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: Zabavna-Pop Rock, Punk, and New Wave Narodna (Folk) and Neofolk Music and the Politics of Popular Music Under Socialism. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. The book consists of chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Made in Yugoslavia: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries.
Part IV: The Politics of Popular Music Under Socialismġ4 Yugoslavia in the Eurovision Song Contestġ5 “Rocking the Party Line”: The Yugoslav Festival of Patriotic and Revolutionary Song and the Polemics of “Soc-Pop” in the 1970sġ6 “Comrades, We Don’t Believe You!” Or, Do We Just Want to Dance With You?: The Slovenian Punk Subculture in Socialist Yugoslaviaġ7 Music Labor, Class, and Socialist Entrepreneurship: Yugoslav Self-Management Revisitedġ8 Music for the “Youth Day Central Ceremony” After Tito: De-ritualization and Other Indices of Yugoslav Declineġ9 Yugoslav Popular Music and Global Histories of the Cold WarĢ0 “What Would You Give to Be in My Place?”: A Conversation with Goran Bregović Part III: Narodna (Folk) and Neofolk Musicġ0 Starogradska Muzika: An Ethnography of Musical Nostalgiaġ1 “My Juga, My Dearest Flower”: The Yugoslav Legacy of Newly Composed Folk Music Revisitedġ2 Music in Macedonia: At the Source of Yugoslavia’s Balkansġ3 Fantasy, Sexuality, and Yugoslavism in Lepa Brena’s Music
Introduction: Reclaiming the Legacy of Yugoslav Popular Musicġ Networking Zabavna Muzika: Singers, Festivals, and EstradaĢ “Melodies From the Adriatic”: Mediterranean Influence in Zabavna Music Festivals of the 1950s and 1960sģ The Sarajevo Pop-Rock Scene: Music from the Yugoslav CrossroadsĤ Yugoslav Film and Popular Culture: Arsen Dedić’s Songs in Filmsĥ Belgrade Rock Experience: From Sixties Innocence to Eighties RelevanceĦ Jugoton: From State Recording Giant to Alternative Producer of Yugoslav New Waveħ “Absolutely Yours”: Yugoslav Disco Under Late SocialismĨ The Aesthetics of Music Videos in Yugoslav Rock Music: Josipa Lisac, EKV, Rambo Amadeusĩ Bijelo Dugme: The Politics of Remembrance Within the Post-Yugoslav Popular Music Scene
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